![]() ![]() Although it´s a deprecated framework it´s currently the only way to natively support MXF files and export Quicktime Ref movies in OS X 10.9. "I've added back the good old QTKit to the non MAS version, which was used in ClipExporter 1. Thomas told us why there are two versions: In some rare cases AVFoundation fails to export drop frame ProRes source videos. adds option to use the legacy video exporter from version 1.In contrast to the MAS version, RED clips that consist of multiple r3d files can be exported now. (re-)adding support for Quicktime Reference movies.added support for the export of MXF files (requires Pro Video Formats 2.0).This gets authorised through the MAS so you have to have the paid version installed. If you haven't come across Clip Exporter before, we suggest you read this page which has a lot of information and some great videos that show what the application can do.īack to the update and 2.0.3 is really a bug fix for the Mac App Store version, but the new functionality has been added to a non MAS version. One of the developers in that group, Thomas Szabo has just updated Clip Exporter.Ĭlip Exporter is a $109 standalone application that reads FCPXML and allows trimmed media (so you don't have to use the whole clip) to be sent to After Effects or Nuke automatically, or simply just used as shortened quicktime files. If there is one thing that FCPX cannot be touched on, that's the enormous ecosystem that has developed to support the application. The tool for extracting used sections of clips in Final Cut Pro X has got an update and some new features accompany the publishing of a second version. Frame.The development of Clip Exporter continues.There you go – five easy steps (less if you skip some of the optional tasks) to restore batch exports to FCP X. It’s a batch utility for file name manipulation. Since many encoding presets typically append a suffix to the file name, you may want to alter or remove this on the newly encoded files. (It will need to be able to read QuickTime reference movies.) Apply your settings and target destination and encode. Drop your selected clips into Compressor or whatever other encoding application you choose. If you created reference files, copying them will go quickly and not take up additional hard drive space. Once the clips have been selected, copy-and-paste them to a new location or drag them directly into your encoding application. Make sure you limit the search to only your target folder and not the entire hard drive. Use the Finder window’s search bar to locate all files that ends with the. ClipExporter places each new QuickTime clip into its own subfolder, which is a bit cumbersome. These will be copied into the target folder location that you designate. ClipExporter will generate a new QuickTime file (self-contained or reference) for each clip in the FCP X project. If you toggle the Q twice, it will display the icon as QR, which means you are now ready to export QuickTime reference files – also something useful from the past. If you toggle the Q icon (QuickTime) once, you will generate new self-contained files, but these might not be the format you want. Make sure that all of the other icons are not lit. ClipExporter can be used for a number of different tasks, like creating After Effects scripts, but in this case we are using it to create QuickTime movies. Launch it and open the FCPXML for the sequence of bread shots. I’m going to use the free application ClipExporter to work the magic. Once the clips are in the project, export an FCPXML from that project. These can be in a random order and should include the full clips. Next, I have to edit these to a new sequence (FCP X project) into order to export. These have been grouped into a keyword collection called “bread”. In my example images, I selected all the bread shots from a grocery store commercial. The first thing to do is to find the clips that you want to batch export. While FCP X can’t do it directly, there is a simple workaround that will give you the same results. For instance, you might want to encode H.264 versions of numerous ProRes files from your production, in order to upload raw footage for client review. One of the “legacy” items that editors miss when switching to Final Cut Pro X is the batch export function.
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